Breakdown, stripboard, budget and call sheets before the cameras roll. Crew confirmations, a live set and the daily report while they do. For film and TV, from indie to studio.
Or drop a file anywhere on this page
Every character, set and prop is tagged the moment the script lands, the way a 1st AD would mark it up. Nothing to type.
Scenes group by set, day and night stay apart, Sundays stay free, and shoot days move around anyone who isn't available.
Cast, crew, fringes, locations, gear and catering, with rates you can change. Then the whole script, projected.
Everyone gets their own call time by email and taps Got it. You see who's seen it, and remind the rest in one tap.
Live set mode on every phone, in the Dynamic Island. Running behind? Producers know before lunch. The daily report writes itself.
Showing The Last Reel ·
Every department works in the same plan, on the web and on iPhone.
Highlight, draw, stamp and comment with your team. On a laptop or with Apple Pencil.
Ask for tighter, cheaper or punchier. Accept or dismiss, line by line.
Crew and cast never see each other's rates. None by default.
Basements, deserts, stages. Changes wait on the phone and send when you're back.
Script, breakdown, stripboard, on set and budget. Live set mode in the Dynamic Island.
Editors and viewers, full or per-section access, a private call-sheet link for each person. Cast and crew always join free.
Upload every episode at once. Shoot them out of order by set, and see the whole season's budget before you greenlight it.
Plan your first film free. Cast and crew always join free as viewers. Yearly saves up to 25%.
Your first short or spec script.
Indie features and small crews.
Busy producers and series.
Studios with a slate of shows.
The Project pass gives you Pro for one film or series for six months. Nothing to cancel when you wrap.
ShootSlate for iPhone is on its way. Everything here works on the web today.
ShootSlate